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Lutz Mommartz Mommartzfilm Das Authentische als Kunst |
In this four-volume edition, film-maker Lutz Mommartz, one of the pioneers of the "other cinema" presents his life's work. An important chapter in German film history is brought into motion here: two still photos on the left – two still photos on the right. The result is an individual and original image of time. The volumes are subdivided into years:
Excerpts from the contents:
"An 8mm camera in Africa. Consciousness-raising games in a circle of friends", "Thomas Schmit at René Block's", Yvonne Reiner and Robert Morris at Schmela's", "Otto Piene's festival of lights", "International breakthrough as an experimental film-maker in Knokke in 1967 with the films "Self-Shots" and "Railway". "The anonymous viewer confronts Joseph Beuys: 'Social sculpture'", "A film without a film. A fire extinguisher covers the Cologne Kunsthalle with a smoke screen", "Panel discussion with Beuys, Bense, Bill and Gehlen". Film-makers protest against the new trade show building. Formation of the Düsseldorf film group and "Critical Film" in the Kunsthalle. "Inspection" and "The aggressive water in the professor's pipes" (Since 1978 chair of film at the college of art in Münster). The film group clashes over the project "The just war – 1525". All kinds of fragments as well as the failure to win over Eddie Constantine to the "other cinema". "Every man is a table, but I am a chair", "Marble always stays cool", "Fidel Castro: El periodo especial". Travels through China "A thousand broken pieces". "Café Buckow" film class excursion and "The man who burned Hitler". Mommartz in Barcelona "I am Rembrandt".
3 volumes with 1,584 pages; about 1,312 black-and-white still photos and 1,846 colour still photos; short texts between the pictures and excerpts from reviews, about 20 x 15 cm
| ISBN
3-89770-086-7 | € 49,- |
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